Edits · Grading · Delivery
Editing & Colour Grading
Assembling the shots into a cut with pace, sound and a consistent grade, so footage from different days and cameras looks like one film. Delivered in the formats you need.

Footage becomes a film in the edit. We assemble shots into a cut with pace, sound and a consistent grade, so material from different days and cameras reads as one piece.
We deliver in the formats you need, whether the film is for the web, social or a wider campaign.
What is included
- An edit with pacing and sound
- A colour grade matched across cameras and days
- Cut-downs and versions for different platforms
- Delivery in the formats you need
- Editing alongside a shoot, or on its own
How a shoot runs.
- 01
Brief
You tell us what the film is for, where it will be shot and when.
- 02
Plan
We design each shot, walk the route and check what is allowed.
- 03
Shoot
We fly the planned moves safely, around your schedule and your set.
- 04
Deliver
You receive footage that edits cleanly, or a finished cut.
Questions.
- Can you grade footage shot on different cameras?
- Yes. Matching the look across cameras and days is a core part of the grade.
- Do you edit footage you did not shoot?
- Send a short description and a sample through the contact form and we will tell you what is possible.
- What formats do you deliver?
- The ones the project needs, such as horizontal for the web, vertical for social and master files for your own edit. Tell us where the film will run.